Hermann Hesse, (born July 2, 1877, Calw, Germany—died August 9, 1962, Montagnola, Switzerland), German novelist and poet who was awarded the Nobel Prize for Literature in 1946. The main theme of his work is the individual’s efforts to break out of the established modes of civilization so as to find an essential spirit and identity.
Hesse grew up in Calw and in Basel. He attended school briefly in Göppingen before, at the behest of his father, he entered the Maulbronn seminary in 1891. Though a model student, he was unable to adapt and left less than a year later. Hesse, who aspired to be a poet, was apprenticed in a Calw tower-clock factory and later in a Tübingen bookstore. He would express his disgust with conventional schooling in the 1906 novel Unterm Rad, (Beneath the Wheel), in which an overly diligent student is driven to self-destruction.
Hesse published his first book, a collection of poems, in 1899. He remained in the bookselling business until 1904, when he became a freelance writer and brought out his first novel, Peter Camenzind, about a failed and dissipated writer. The novel was a success, and Hesse returned to the theme of an artist’s inward and outward search in Gertrud (1910) and Rosshalde (1914). A visit to India in these years was later reflected in Siddhartha (1922), a poetic novel, set in India at the time of the Buddha, about the search for enlightenment.
During World War I, Hesse lived in neutral Switzerland, wrote denunciations of militarism and nationalism, and edited a journal for German war prisoners and internees. He became a permanent resident of Switzerland in 1919 and a citizen in 1923, settling in Montagnola. A deepening sense of personal crisis led Hesse to psychoanalysis with J.B. Lang, a disciple of Carl Jung. The influence of analysis appears in Demian (1919), an examination of the achievement of self-awareness by a troubled adolescent. This novel had a pervasive effect on a troubled Germany and made its author famous. Hesse’s later work shows his interest in Jungian concepts of introversion and extraversion, the collective unconscious, idealism and symbols. Hesse also came to be preoccupied with what he saw as the duality of human nature.
Der Steppenwolf (1927; Steppenwolf ) describes the conflict between bourgeois acceptance and spiritual self-realization in a middle-aged man. In Narziss und Goldmund (1930; Narcissus and Goldmund), an intellectual ascetic who is content with established religious faith is contrasted with an artistic sensualist pursuing his own form of salvation. Hesse’s last and longest novel, Das Glasperlenspiel (1943; English titles The Glass Bead Game and Magister Ludi), is set in the 23rd century. In it Hesse again explores the dualism of the contemplative and the active life, this time through the figure of a supremely gifted intellectual. He subsequently published letters, essays and stories.
After World War II, Hesse’s popularity among German readers soared, though it had crashed by the 1950s. His appeal for self-realization and his celebration of Eastern mysticism transformed him into something of a cult figure to young people in the English-speaking world in the 1960s and ’70s, and this vein of his work ensured an international audience for his work afterward.