|OCTOBER 11 - DECEMBER 15
An Odyssey Theatre Ensemble & New American Theatre Co-Production
Gripping, Powerful and Blackly Comic.
- London Daily Telegraph
In a very modern new translation by David Greig, Strindberg's classic play is a sexy, savage and fun look at marriage as a uniquely brutal system of exchange. Thought the collapse of banking was bad? It's nothing compared to wedlock. An Odyssey Theatre and New American Theatre co-production.
(1849-1912) A Swedish dramatist, novelist, poet and essayist who is considered to be the father of modern Swedish literature. He often drew on his personal experiences with numerous works that include The Father (1887), Miss Julie (1888), Creditors (1889), The Stronger (1890), Easter (1900), The Dance of Death (1900), A Dream Play (1902) and The Ghost Sonata (1907).
David Greig is an award-winning writer. His work includes the book of the stage musical, Charlie and the Chocolate Factory (Drury Lane Theatre); The Events (Traverse Theatre, Edinburgh/Young Vic); The Letter Of Last Resort (Tricyle Theatre/Traverse Theatre, Edinburgh); Strange Undoing of Prudencia Hart (Tron Theatre, National Theatre of Scotland); Fragile/Cello (Theatre Uncut, Southwark Playhouse/ Latitude Festival); Midsummer (Traverse Theatre and Soho Theatre/Tricycle Theatre, UK and international tour); Dunisnane (RSC at Hampstead Theatre and National Theatre of Scotland tour); Damascus (Traverse Theatre, Scotland and the Tricycle Theatre); Miniskirts Of Kabul (Tricycle Theatre); Brewers Fayre, (Traverse Theatre) Outlying Islands, (Traverse Theatre and Royal Court, Upstairs); The American Pilot (RSC, Soho & MTC); Pyrenees (Paines Plough); The Cosmonaut's Last Message To The Woman He Once Loved In The Former Soviet Union (Donmar Warehouse); The Architect and Europe (Traverse Theatre). Adaptations include The Creditors (Donmar Warehouse and BAM, NYC): The Bacchae (Edinburgh International Festival and Lyric Theatre, Hammersmith); Tintin in Tibet (Barbican, Playhouse Theatre, London and National Tour ); When The Bulbul Stopped Singing (Traverse Theatre); Caligula (Donmar Warehouse) and Peter Pan (NTS, Traverse/ Barbican). David's work for children and young people includes, The Monster In the Hall (TAG Theatre Co. Glasgow/Traverse Theatre); Yellow Moon (TAG Theatre Co. Glasgow/Traverse Theatre and tour); Gobbo (National Theatre of Scotland, Highlands tour); Dr Korczak's Example (TAG Theatre Co. Glasgow, Citizen's Theatre and BAC, London). He has also written extensively for radio. David is currently under commission to the Almeida Theatre and the National Theatre of Scotland. He is working with Film Four on a screen adaptation of his stage play Midsummer. Other films include: Vinyan and A Complicated Kindness.
David directed Jack Stehlin in More Lies About Jerzy by Davey Holmes for New American Theatre; Hume Cronyn, Jessica Tandy and Keith Carradine in Foxfire on Broadway and at the Ahmanson; The Dining Room by A.R. Gurney at Playwrights Horizons, off-Boadway and the Kennedy Center. David has directed at The Long Wharf, Williamstown, Manhattan Theatre Club and the Great Lakes Shakespeare Festival. On television he directed Designing Women, Grace Under Fire, Cybill and That '70s Show.
Theatre: Off-Broadway - Will in The Girl in the Park, Mitch in Physical, Albert Feather in Ladies in Retirement. Los Angeles: Peter/Craig in Dying City, Clifford Anderson in Deathtrap, Gerd in Esther's Moustache. Regional: Paul Hornung in Lombardi (Kentucky Repertory Theatre), Kent in Reasons to be Pretty (SpeakEasy Stage in Boston, MA), Mark Antony in Julius Ceasar (Pennsylvania Shakespeare Festival). Film: Austin in Eat With Me, Josh in Sebastian, Freddy in Paint, Jacob Cooper in The Fence, Brandon Wescott in Abigail. Television: My George (Hallmark Movie Channel), The Young & the Restless (CBS), Criminal Minds (CBS), Malibu Country (ABC), Don't Trust the B----- in Apartment 23 (ABC). Burt cannot thank the people who believe and trust in him enough. Very special thanks go to his parents, Carrie and Eric, and his siblings, Joe and Becky.
Heather Anne Prete
Heather began her career in Chicago where she worked in film, television and theatre. She performed lead roles at Steppenwolf, The Goodman and Chicago Shakespeare, among others. Regionally: Clarence Brown, Ensemble Theatre of Santa Barbara, Milwaukee Repertory, among others. The highlight of her career has been being cast by, and working with, Arthur Miller and Robert Falls to originate the character of Kitty in Finishing The Picture, the last play written by Arthur Miller before he died. Television credits include Hot in Cleveland, Free Agents, NCIS, CSI, The Whole Truth, Jamie Kennedy Experiment, Peep Show, and Eli Stone among others. Some film credits are Baby on Board, Bokshu, Expecting Mercy and The Room Next Door. Heather is also a mindfulness facilitator and a meditation coach.
Gustav/Artistic Director, The New American Theatre
New York/Regional; Salome with Al Pacino; nine productions at NYC's Public Theatre including Richard II, Henry V, Casanova, Henry IV, Part I, Julius Caesar. New American Theatre: More Lies About Jerzy (director, David Trainer), Julius Caesar, Harm's Way (LA /NYC), Midsummer Night's Dream, Titus Redux (Not Man Apart co-production/Kirk Douglas Theatre/RadarLA,). Odyssey/New American Theatre (Circus Theatricals) co-productions: Taming of the Shrew, Misanthrope, Macbeth, Hamlet, Richard III, Tartuffe, True West, Scapin. Recent film: Wilde Salome, starring/directed by Al Pacino. Jack may be best known on TV as DEA captain Roy Till on Weeds (Showtime). Other TV: NCIS LA, NCIS, The Event, Dark Blue, Without a Trace, Monk, JAG, The Practice, Crossing Jordan, ER, NYPD Blue, more. Jack is a graduate of The Juilliard School, alumnus of The Acting Company.
Founder and Artistic Director of the Odyssey Theatre Ensemble
Ron recently received the LA Weekly Career Achievement Award, 2013. He has also received the Los Angeles Drama Critics Margaret Harford Award for "demonstrating a continual willingness to experiment provocatively in the process of theatre" and the Los Angeles Drama Critics Circle Ron Link Award for "consistent quality of direction." Recent OTE directing projects include Theatre in the Dark, Way to Heaven, Kafka Thing!, Far Away, The Threepenny Opera, Sliding Into Hades (Best Production of the Year, LA Weekly), The Arsonists and The Way to Heaven. Ron has led the Odyssey throughout its 44-year history.
Jeannine Wisnosky Stehlin
Producer/Managing Director, The New American Theatre
Producer: 80+ plays for New American Theatre/Circus Theatricals including; More Lies About Jerzy (dir. David Trainer), Midsummer Night's Dream, Julius Caesar, Bedfellows, 18 One Act Festivals, As Is, Five Beauties by Tennessee Williams, I Never Sang for My Father, Sister Cities (world premiere), Titus Redux (w/ Not Man Apart at Kirk Douglas Theatre and RADAR-LA), LA/Off-Broadway productions of Man.gov, Harm's Way, The Job; Many New American Theatre/Odyssey Theatre co-productions. Short film Game 7, (2013 Naperville Independent Film Festival finalist). As an actor; Jeannine had done numerous plays in LA and Chicago. Film/TV: Watch It, Rancho Cucamonga, Chicago 8. She made her TV debut as a preschooler on the children's program, Romper Room. Jeannine has a B.S. in Advertising from University of Illinois and an M.B.A. in Marketing from Illinois Institute of Technology.
Thomas A. Walsh
Thomas's body of work encompasses feature films, Imax, television documentaries, Broadway dramas and musicals. He designed the world premieres of the multi-award winning Zoot Suit and Children of a Lesser God for Broadway, as well as the Outer Circle Critics-nominated production of Marty Casella's musical, Play It Cool. He designed Annapurna and The Irish Curse at the Odyssey. Feature credits include The Handmaid's Tale, John Carpenter's Vampires, The Majestic and A Gathering of Old Men. He is the designer of Desperate Housewives, and other credits include In Plain Sight, Buddy Faro and My So Called Life. Thomas is a winner of the Art Directors Guild Award, as well as multiple Emmy nominations. Thomas is also a winner of the Emmy for Buddy Faro. He is a native of Los Angeles.
Film/TV credits include Kingfish: A Story of Huey P. Long, (Ace nomination), In Search of Dr. Suess (Emmy nomination), The Murder of Mary Phagan (Emmy, best mini-series), The Glass Menagerie, MGM: When the Lion Roared, War Story: Vietnam, and Miss Lonelyhearts. Opera designs: Vanqui (Opera Columbus), The Pearl Fishers, Carmen (Virginia Opera), and Dialogues of the Carmelites, Patience, and Margaret Garner at Glimmerglass Opera and New York City Opera. Theater credits: The Speed of Darkness and Brothers on Broadway, and The Iceman Cometh at The Abbey Theatre. Regional theatre work includes The Old Globe Theatre, South Coast Repertory, Laguna Playhouse, Berkeley Repertory, Oregon Shakespearean Festival, Denver Center, Indiana Repertory, Children's Theatre of Louisville, Actor's Theatre of Louisville, Hartford Stage, Goodman Theatre, Williamstown Theatre Festival, and Arena Stage.
Nicholas is a lighting designer working in theatre, opera, dance and architecture. Currently here in Los Angeles, he is a themed entertainment lighting designer and consultant for Thinkwell Group, as well as working with LA-based theatres and dance companies, including Diavolo Dance Theatre and The Underground Street Dance Company. Recent design highlights include Diavolo's world premiere of Fluid Infinities, Let There Be Light for Temple Israel of Hollywood, and Bukowski.Sondheim for the California Repertory Company. Previous assistant design highlights include two seasons at the Central City Opera Festival and A Midsummer Night's Dream at Teatro dell'Opera di Roma in Rome, Italy.
Ron recently wrote, directed and did the sound design for Cops and Friends of Cops, the inaugural production of the VS. Theatre Company in their new home. Additional sound design credits include Julius Caesar, Bedfellows, As Is (co-designed with director John Farmanesh-Bocca) and Five Beauties for The New American Theatre, State of the Union for Interact Theatre, Sugar Daddy at the Lounge Theatre, The Sweetest Swing in Baseball for West Coast Ensemble Theatre, Hard as Nails for Moving Arts Theatre; and for the VS. Theatre Company: The Mercy Seat, Blackbird (2009 LADCC Award Winner and LA Weekly Award nominee), Eagle Hills, Eagle Ridge, Eagle Landing, Pugilist Specialist, On An Average Day, Eric LaRue, Waste of Shame and Navy Pier.
Noah attended NYU's Tisch School of the Arts, where he studied at The Meisner Studio, The Experimental Theatre Wing, Stonestreet Studios, and abroad at The Royal Academy of Dramatic Art. Television: Co-star 90210. Film credits include Dog it Down, In Development, Goodbye Simon and Breaking and Entering. NYU Theater credits include Spring Awakening, Pericles, The Last Days of Judas Iscariot, Nine, Blue Window and Three Sisters. Recently appeared as Lysander in The New American Theatre's A Midsummer Night's Dream. Noahjamesprojects@gmail.com
Josie is a veteran at the Odyssey Theatre. Her recent shows include Ionescopade, Theatre in the Dark, The Fall to Earth, Grace Notes & Anvils and Adding Machine: A Musical. She'd like to thank her family and friends for putting up with her vanishing into theatre for months at a time!
Film/TV casting includes Last Temptation of Christ, King of New York, thirtysomething, Dream On (HBO), Sunday Dinner, Rebel Highway (Showtime). Directors include Martin Scorsese, Arthur Penn, Abel Ferrar, Robert Rodriguez, William Friedkin, Allan Arkush, Gary Sinise, John Landis, Christopher Guest, Marshall Herskowitz, Ed Zwick. Off B'way: Manhattan Theatre Club, Playwrights and Directors include David Trainer, Arthur Penn, John Patrick Shanley, Beth Henley. Broadway: Casting Associate, Guys & Dolls, Amadeus, The Elephant Man, Les Miz, Dreamgirls, Phantom of the Opera, Les Liaisons Dangereuses, Training: Northwestern University, Chicago - Frank Galati; Circle-in the-Square, NYC - Larry Moss, Nikos Psacharopoulos. Thank you, David Trainer, for offering me a Master Class in serious fun; Jack, for having the heart of an artist; and Jeannine, for making it all work.
© 2013 THE ODYSSEY THEATRE | 310-477-2055 EXT. 2
310-477-2055 EXT. 2
Wednesday - Friday
Saturday - Sunday
(post show discussions available on request)
$5 off with this card (restrictions apply)